Heritage Art

Felipe Ribeiro Heritage Artworks

Developed Heritage Art

1995.05. The Archetypical Theater Blog: Writings that used archetypical faceless characters like "a garbage collector", "a scientist from the slum", "some park rangers from the east", etc. What began as a self knowledge practice after teaching in endangered communities became a wonderful tool to learn how to respectfully watch and listen to other people and places, so initiating the writer into the field of compassionate listening, respect language, and nonviolent communication that changed his artistry forever. Its archives were lost when Geocities sites were turned off.

2002.03. Music Direction, Voice Coach, Compassionate Listening Preparation, Soundtracks: Using the several open methodologies he developed several collaborative artworks that assisted in the preservation of the common heritage of humanity. There were several works on children's tales, folk stories, oral traditions, classical literature, and scientific discoveries. Each of which with a compositional methodology developed specifically for it. The composer asks us to remind everyone of the imprescindible role of servants, cleaners, and caterers in the creative daily life, and thanks all of them for the most respectful inspiration.

2003.05. Soundance Cyberphony: An individual anechoic chamber with surveillance is installed inside a museum and dancers are invited to enter it to listen to their own bodies and dance to its sounds. Presentations: Installation Body Performance Festival.

2004.04. Operatic Immersive Installations Ecomuseology: Through his collaborations with sound engineers, theater directors, and scenographers in the most respected dance, theater, and cinema companies he started developing multimedia augmented reality (AR) videomapping artistic exhibitions for public environments along the most respected cultural centers and museums, fair trade logistics providers, and accountancy agents.

2007.12. Statues Proera: Videomapping, sound installation, and singing original texts as if the statue was talking about its represented historic character's heritage with the sound of sculture workshops and other places connected to coherent themes. Presentations: Cinema Kastanealle Berlin.

2010.10. Tupy Grammophone Ecomuseology: Inspired by the centuries old role of indigenous people in Brazilian opera and Deutsche Grammophone, in a collaboration with the Video in Tribes (VnA) project that gives cinema cameras to original nations, this project creates an imaginary intertribal indigenous classical music record label. Although it had to be closed due to lack of funding, some tribal popular music projects were inspired by it.

2012.12. The Ivory Elephant Proera:

2013.04. Metadiorama Ecomuseology:

2014.07. Vitrine Movie: Inspired by the situationist cinema, this project was completely filmed in showcase displays from poor communities secondhand thrift stores, community bazaars, and luxury boutiques with a poetic philosophical essay voice-over developed with leaders from the Berlin social solidarity economy (SSE). Presentations: Berlin Landscape Cinema Festival, , Saint Andrew Spiritist Bazaar, London Oxfam Thrift Store.

In Progress Heritage Artworks